#

FLEX ON YOU HATERS, 2017
Mirror foil sweatshirt from Aloha
Size L

Flex on you Haters
kbh_kabinet
Glostrup

Installation view

A VAGUE NOTHING AT THE INTERSECTION OF SUBJECT AND OBJECT, 2017 (detail)
Graphite, lacquer, rust, and hot glue on double-sided fibre-board panels
Dimensions variable to installation (each panel: 122 x 305cm)

Installation view

UNTITLED (GLAMOUR IS FOR THOSE WHO CAN AFFORD NOT TO BE GLAMOROUS), 2018 (detail)
Mirror foil mounted on canvas, hot glue, gold leaf, aluminum stretchers
100 x 100cm

A VAGUE NOTHING AT THE INTERSECTION OF SUBJECT AND OBJECT, 2017
Graphite, lacquer, rust, and hot glue on double-sided fibre-board panels
Dimensions variable to installation (each panel: 122 x 305cm)

A VAGUE NOTHING AT THE INTERSECTION OF SUBJECT AND OBJECT, 2017 (detail)
Graphite, lacquer, rust, and hot glue on double-sided fibre-board panels
Dimensions variable to installation (each panel: 122 x 305cm)

A VAGUE NOTHING AT THE INTERSECTION OF SUBJECT AND OBJECT, 2017 (detail)
Graphite, lacquer, rust, and hot glue on double-sided fibre-board panels
Dimensions variable to installation (each panel: 122 x 305cm)

A VAGUE NOTHING AT THE INTERSECTION OF SUBJECT AND OBJECT, 2017
Graphite, lacquer, rust, and hot glue on double-sided fibre-board panels
Dimensions variable to installation (each panel: 122 x 305cm)

A VAGUE NOTHING AT THE INTERSECTION OF SUBJECT AND OBJECT, 2017 (detail)
Graphite, lacquer, rust, and hot glue on double-sided fibre-board panels
Dimensions variable to installation (each panel: 122 x 305cm)

A VAGUE NOTHING AT THE INTERSECTION OF SUBJECT AND OBJECT, 2017 (detail)
Graphite, lacquer, rust, and hot glue on double-sided fibre-board panels
Dimensions variable to installation (each panel: 122 x 305cm)

A VAGUE NOTHING AT THE INTERSECTION OF SUBJECT AND OBJECT, 2017
Graphite, lacquer, rust, and hot glue on double-sided fibre-board panels
Dimensions variable to installation (each panel: 122 x 305cm)

A VAGUE NOTHING AT THE INTERSECTION OF SUBJECT AND OBJECT, 2017
Graphite, lacquer, rust, and hot glue on double-sided fibre-board panels
Dimensions variable to installation (each panel: 122 x 305cm)

A VAGUE NOTHING AT THE INTERSECTION OF SUBJECT AND OBJECT, 2017
Graphite, lacquer, rust, and hot glue on double-sided fibre-board panels
Dimensions variable to installation (each panel: 122 x 305cm)

A VAGUE NOTHING AT THE INTERSECTION OF SUBJECT AND OBJECT, 2017
Graphite, lacquer, rust, and hot glue on double-sided fibre-board panels
Dimensions variable to installation (each panel: 122 x 305cm)

Installation view

UNTITLED (GLAMOUR IS FOR THOSE WHO CAN AFFORD NOT TO BE GLAMOROUS), 2018
Mirror foil mounted on canvas, aluminum stretchers
65 x 65cm

UNTITLED (GLAMOUR IS FOR THOSE WHO CAN AFFORD NOT TO BE GLAMOROUS), 2018 (detail)
Mirror foil mounted on canvas, aluminum stretchers
65 x 65cm

A VAGUE NOTHING AT THE INTERSECTION OF SUBJECT AND OBJECT, 2017 (detail)
Graphite, lacquer, rust, and hot glue on double-sided fibre-board panels
Dimensions variable to installation (each panel: 122 x 305cm)

Installation view

Installation view

UNTITLED (GLAMOUR IS FOR THOSE WHO CAN AFFORD NOT TO BE GLAMOROUS), 2018 (detail)
Mirror foil mounted on canvas, aluminum stretchers
65 x 65cm

UNTITLED (GLAMOUR IS FOR THOSE WHO CAN AFFORD NOT TO BE GLAMOROUS), 2018
Mirror foil mounted on canvas, aluminum stretchers
65 x 65cm

UNTITLED (GLAMOUR IS FOR THOSE WHO CAN AFFORD NOT TO BE GLAMOROUS), 2018
Mirror foil mounted on canvas, aluminum stretchers
65 x 65cm

UNTITLED (GLAMOUR IS FOR THOSE WHO CAN AFFORD NOT TO BE GLAMOROUS), 2018 (detail)
Mirror foil mounted on canvas, aluminum stretchers
65 x 65cm

UNTITLED (GLAMOUR IS FOR THOSE WHO CAN AFFORD NOT TO BE GLAMOROUS), 2018
Mirror foil mounted on canvas, aluminum stretchers
65 x 65cm

UNTITLED (GLAMOUR IS FOR THOSE WHO CAN AFFORD NOT TO BE GLAMOROUS), 2018 (detail)
Mirror foil mounted on canvas, hot glue, gold leaf, aluminum stretchers
65 x 65cm

UNTITLED (GLAMOUR IS FOR THOSE WHO CAN AFFORD NOT TO BE GLAMOROUS), 2018
Mirror foil mounted on canvas, aluminum stretchers
65 x 65cm

Installation view

Cool, Calm, and Collected
ARoS Aarhus Art Museum
Aarhus

CALCULATED OPTIMISM, 2015 (detail)
Anodized Apple PowerBook G4 Titanium computer
Dimensions variable to installation

CALCULATED OPTIMISM, 2015 (detail)
Anodized Apple PowerBook G4 Titanium computer
Dimensions variable to installation

CALCULATED OPTIMISM, 2015 (detail)
Anodized Apple PowerBook G4 Titanium computer
Dimensions variable to installation

Installation view

UNTITLED (SEARCHING FOR DEVICES), 2015
Anodized titanium
100 x 125cm

WHAT CANNOT BE IMAGINED, CANNOT BE SEEN, 2015/2017
Wooden boards (from previous exhibition architecture), screws, compound, folding chairs used by install crew.
Dimensions variable to installation

WHAT CANNOT BE IMAGINED, CANNOT BE SEEN, 2015/2017 (detail)
Wooden boards (from previous exhibition architecture), screws, compound, folding chairs used by install crew.
Dimensions variable to installation

WHAT CANNOT BE IMAGINED, CANNOT BE SEEN, 2015/2017
Wooden boards (from previous exhibition architecture), screws, compound, folding chairs used by install crew.
Dimensions variable to installation

MADE IN CHINA, 2009
Selekta power drill, rotation motor hidden inside wall.
8 x 17 x 32cm

MADE IN CHINA, 2009
Selekta power drill, rotation motor hidden inside wall.
8 x 17 x 32cm

MADE IN CHINA, 2009
Selekta power drill, rotation motor hidden inside wall.
8 x 17 x 32cm

MADE IN CHINA, 2009
Selekta power drill, rotation motor hidden inside wall.
8 x 17 x 32cm

Between Financial Entanglement and Corporal Decay
Last Resort
Copenhagen

________

Dear Paul

I was wondering if I could talk you into writing a PR for my upcoming show. Or perhaps "writing," because the preview is on Friday, so it's super short notice. But it could be anything literally: A poem, a readymade whatever… I would much prefer this to the usual gallery blah blah.

The show consists of an 300 x 700cm make-believe steel plate standing upright and cutting diagonally through the gallery space (think low budget Richard Serra) plus some mirror foil "paintings," which look more or less like chrome.

hmm gimme more background information

The mirror works are called Untitled (You Hate the Fact that You Bought the Dream and They Sold You One). They are a “commercialized” version of an eponymous public work I recently did: I put self-adhesive mirror foil on 15 pretty banged-up poster stands in a railway station, so instead of advertisements, people would see themselves (somewhat distorted) hurrying to or from the train.

Untitled (You Hate…) are in line with my general occupation with painting: That is painting without paint and with no immediately identifiable subjective gestures or formal preoccupation with objective structures. In this case scratching the surface, and other types of "accidental" mark making are my way of composing images. Or "images" rather, because you will of course mainly see the reflection of yourself or other viewers and in particular the aforementioned wall of steel behind you.

This colossal work (I thought about calling it: Flex on You Haters) is actually composed much in the same way. It consists of masonite covered with graphite powder and lacquer, polished by hand to look like raw steel. I have also applied rust. So, this wall – forcing the viewer to take a detour to get into the adjoining room – also doubles as big ass painting(s).

The show's title states the obvious: The pros and cons of gallery representation, and the fact that I recently turned 40, but still is very much an "emerging artist."

ok, I’ll think about it’

Great.

Paul Barsch (DE) is an artist and part of the curatorial duo New Scenario

#

Installation view

A VAGUE NOTHING AT THE INTERSECTION OF SUBJECT AND OBJECT, 2017 (detail)
Graphite, lacquer, rust, and hot glue on double-sided fibre-board panels
Dimensions variable to installation
(each panel: 122 x 305cm)

Installation view

A VAGUE NOTHING AT THE INTERSECTION OF SUBJECT AND OBJECT, 2017
Graphite, lacquer, rust, and hot glue on double-sided fibre-board panels
Dimensions variable to installation (each panel: 122 x 305cm)

A VAGUE NOTHING AT THE INTERSECTION OF SUBJECT AND OBJECT, 2017 (detail)
Graphite, lacquer, rust, and hot glue on double-sided fibre-board panels
Dimensions variable to installation
(each panel: 122 x 305cm)

UNTITLED (YOU HATE THE FACT THAT YOU BOUGHT THE DREAM AND SOLD YOU ONE), 2017
Mirror foil mounted on canvas, aluminium stretchers
100 x 125cm

UNTITLED (YOU HATE THE FACT THAT YOU BOUGHT THE DREAM AND SOLD YOU ONE), 2017 (detail)
Mirror foil mounted on canvas, aluminium stretchers
100 x 125cm

UNTITLED (YOU HATE THE FACT THAT YOU BOUGHT THE DREAM AND SOLD YOU ONE), 2017
Mirror foil mounted on canvas, aluminium stretchers
100 x 125cm

Installation view

UNTITLED (YOU HATE THE FACT THAT YOU BOUGHT THE DREAM AND SOLD YOU ONE), 2017
Mirror foil mounted on canvas, aluminium stretchers
110 x 180cm

UNTITLED (YOU HATE THE FACT THAT YOU BOUGHT THE DREAM AND SOLD YOU ONE), 2017 (detail)
Mirror foil mounted on canvas, aluminium stretchers
110 x 180cm

UNTITLED (YOU HATE THE FACT THAT YOU BOUGHT THE DREAM AND SOLD YOU ONE), 2017
Mirror foil mounted on canvas, aluminium stretchers
65 x 65cm

UNTITLED (YOU HATE THE FACT THAT YOU BOUGHT THE DREAM AND SOLD YOU ONE), 2017
Mirror foil mounted on canvas, aluminium stretchers
65 x 65cm

A VAGUE NOTHING AT THE INTERSECTION OF SUBJECT AND OBJECT, 2017 (detail)
Graphite, lacquer, rust, and hot glue on double-sided fibre-board panels
Dimensions variable to installation
(each panel: 122 x 305cm)

A VAGUE NOTHING AT THE INTERSECTION OF SUBJECT AND OBJECT, 2017 (detail)
Graphite, lacquer, rust, and hot glue on double-sided fibre-board panels
Dimensions variable to installation
(each panel: 122 x 305cm)

UNTITLED (YOU HATE THE FACT THAT YOU BOUGHT THE DREAM AND SOLD YOU ONE), 2017
Mirror foil mounted on canvas, aluminium stretchers
60 x 60cm

UNTITLED (YOU HATE THE FACT THAT YOU BOUGHT THE DREAM AND SOLD YOU ONE), 2017 (detail)
Mirror foil mounted on canvas, aluminium stretchers
60 x 60cm

Installation view

UNTITLED (YOU HATE THE FACT THAT YOU BOUGHT THE DREAM AND SOLD YOU ONE), 2017
Mirror foil mounted on canvas, aluminium stretchers
65 x 65cm

UNTITLED (YOU HATE THE FACT THAT YOU BOUGHT THE DREAM AND SOLD YOU ONE), 2017
Mirror foil mounted on canvas, aluminium stretchers
65 x 65cm

Installation view

UNTITLED (YOU HATE THE FACT THAT YOU BOUGHT THE DREAM AND SOLD YOU ONE), 2017 (detail)
Mirror foil mounted on canvas, aluminium stretchers
60 x 60cm

UNTITLED (YOU HATE THE FACT THAT YOU BOUGHT THE DREAM AND SOLD YOU ONE), 2017
Mirror foil mounted on canvas, aluminium stretchers
60 x 60cm

Installation view

UNTITLED (YOU HATE THE FACT THAT YOU BOUGHT THE DREAM AND SOLD YOU ONE), 2017
Mirror foil mounted on canvas, aluminium stretchers
100 x 135cm

UNTITLED (YOU HATE THE FACT THAT YOU BOUGHT THE DREAM AND SOLD YOU ONE), 2017 (detail)
Mirror foil mounted on canvas, aluminium stretchers
100 x 135cm

Installation view

A VAGUE NOTHING AT THE INTERSECTION OF SUBJECT AND OBJECT, 2017 (detail)
Graphite, lacquer, rust, and hot glue on double-sided fibre-board panels
Dimensions variable to installation
(each panel: 122 x 305cm)

A VAGUE NOTHING AT THE INTERSECTION OF SUBJECT AND OBJECT, 2017 (detail)
Graphite, lacquer, rust, and hot glue on double-sided fibre-board panels
Dimensions variable to installation
(each panel: 122 x 305cm)

Installation view

A VAGUE NOTHING AT THE INTERSECTION OF SUBJECT AND OBJECT, 2017 (detail)
Graphite, lacquer, rust, and hot glue on double-sided fibre-board panels
Dimensions variable to installation
(each panel: 122 x 305cm)

AN ANONYMOUS SYSTEM, 2017
Bookends
Dimensions variable to installation
(each: 14 x 14 x 21cm)

An Anonymous System
Rogaland Kunstsenter
Stavanger

AN ANONYMOUS SYSTEM, 2017
Bookends
Dimensions variable to installation
(each: 14 x 14 x 21cm)

AN ANONYMOUS SYSTEM, 2017
Bookends
Dimensions variable to installation
(each: 14 x 14 x 21cm)

AN ANONYMOUS SYSTEM, 2017
Bookends
Dimensions variable to installation
(each: 14 x 14 x 21cm)

AN ANONYMOUS SYSTEM, 2017 (detail)
Bookends
Dimensions variable to installation
(each: 14 x 14 x 21cm)

AN ANONYMOUS SYSTEM, 2017 (detail)
Bookends
Dimensions variable to installation
(each: 14 x 14 x 21cm)

AN ANONYMOUS SYSTEM, 2017 (detail)
Bookends
Dimensions variable to installation
(each: 14 x 14 x 21cm)

AN ANONYMOUS SYSTEM, 2017 (detail)
Bookends
Dimensions variable to installation
(each: 14 x 14 x 21cm)

YOU MUST RIP THE SAME FROM THE SAME, 2016/2017
Repurposed IKEA shelving units
Dimensions variable to installation

YOU MUST RIP THE SAME FROM THE SAME, 2016/2017
Repurposed IKEA shelving units
Dimensions variable to installation

YOU MUST RIP THE SAME FROM THE SAME, 2016/2017
Repurposed IKEA shelving units
Dimensions variable to installation

LIKE IF REALITY HAD BEEN TOLD IT IS PERMANENTLY ILL, 2017
Fluorescent ceiling lights, flicker module.
Dimensions variable

LIKE IF REALITY HAD BEEN TOLD IT IS PERMANENTLY ILL, 2017
Fluorescent ceiling lights, flicker module.
Dimensions variable

LIKE IF REALITY HAD BEEN TOLD IT IS PERMANENTLY ILL, 2017
Fluorescent ceiling lights, flicker module.
Dimensions variable

LIKE IF REALITY HAD BEEN TOLD IT IS PERMANENTLY ILL, 2017
Fluorescent ceiling lights, flicker module.
Dimensions variable

LIKE IF REALITY HAD BEEN TOLD IT IS PERMANENTLY ILL, 2017
Fluorescent ceiling lights, flicker module.
Dimensions variable

YOU MUST RIP THE SAME FROM THE SAME, 2016/2017
Repurposed IKEA shelving units
Dimensions variable to installation

YOU MUST RIP THE SAME FROM THE SAME, 2016/2017
Repurposed IKEA shelving units
Dimensions variable to installation

YOU MUST RIP THE SAME FROM THE SAME, 2016/2017
Repurposed IKEA shelving units
Dimensions variable to installation

YOU MUST RIP THE SAME FROM THE SAME, 2016/2017
Repurposed IKEA shelving units
Dimensions variable to installation

Installation view

PERHAPS I MADE PAINTING FEEL SICK, 2017
Faux brick wall wallpaper
Dimensions variable to installation

PERHAPS I MADE PAINTING FEEL SICK, 2017
Faux brick wall wallpaper
Dimensions variable to installation

YOU MUST RIP THE SAME FROM THE SAME, 2016/2017 (detail)
Repurposed IKEA shelving units
Dimensions variable to installation

PERHAPS I MADE PAINTING FEEL SICK, 2017 (detail)
Faux brick wall wallpaper
Dimensions variable to installation

YOU MUST RIP THE SAME FROM THE SAME, 2016/2017
Repurposed IKEA shelving units
Dimensions variable to installation

PERHAPS I MADE PAINTING FEEL SICK, 2017
Faux brick wall wallpaper
Dimensions variable to installation

YOU MUST RIP THE SAME FROM THE SAME, 2016/2017
Repurposed IKEA shelving units
Dimensions variable to installation

Installation view

PERHAPS I MADE PAINTING FEEL SICK, 2017
Faux brick wall wallpaper
Dimensions variable to installation

YOU MUST RIP THE SAME FROM THE SAME, 2016/2017
Repurposed IKEA shelving units
Dimensions variable to installation

LIKE IF REALITY HAD BEEN TOLD IT IS PERMANENTLY ILL, 2017
Fluorescent ceiling lights, flicker module.
Dimensions variable

LIKE IF REALITY HAD BEEN TOLD IT IS PERMANENTLY ILL, 2017
Fluorescent ceiling lights, flicker module.
Dimensions variable

LIKE IF REALITY HAD BEEN TOLD IT IS PERMANENTLY ILL, 2017
Fluorescent ceiling lights, flicker module.
Dimensions variable

LIKE IF REALITY HAD BEEN TOLD IT IS PERMANENTLY ILL, 2017
Fluorescent ceiling lights, flicker module.
Dimensions variable

LIKE IF REALITY HAD BEEN TOLD IT IS PERMANENTLY ILL, 2017
Fluorescent ceiling lights, flicker module.
Dimensions variable

LIKE IF REALITY HAD BEEN TOLD IT IS PERMANENTLY ILL, 2017
Fluorescent ceiling lights, flicker module.
Dimensions variable

LIKE IF REALITY HAD BEEN TOLD IT IS PERMANENTLY ILL, 2017
Fluorescent ceiling lights, flicker module.
Dimensions variable

LIKE IF REALITY HAD BEEN TOLD IT IS PERMANENTLY ILL, 2017
Fluorescent ceiling lights, flicker module.
Dimensions variable

Installation view

PERHAPS I MADE PAINTING FEEL SICK, 2017
Faux brick wall wallpaper
Dimensions variable to installation

PERHAPS I MADE PAINTING FEEL SICK, 2017
Faux brick wall wallpaper
Dimensions variable to installation

PERHAPS I MADE PAINTING FEEL SICK, 2017
Faux brick wall wallpaper
Dimensions variable to installation

THE SHOW IS OVER, BUT PICTURES ARE FINALLY UP

Future Suburban Contemporary
Brønshøj

2017

__________________________________________________

This exhibition is Danish artist Mikkel Carl’s first retrospective, and it takes place in a small garage in Brønshøj, the very heart of Copenhagen suburbia. Sounds awkward? Well, for starters a surprisingly large number of his works fit well within this peculiar episteme of storage.

Lack of studio space is something that preoccupies the mind of most artists. And between traveling and the daytime job(s) that enable you to pay the rent, there is never enough studio time either. Luckily for Mikkel Carl, he lives in the countryside one hour out of Copenhagen. At least there is plenty of room there, and that is a primary reason why this comprehensive retrospective exhibition is even an option.

Carl has been working as an artist for less than ten years so it might seem a bit early to start dealing with this “identity crisis bound to happen”-format. But in his practice, he has right from the beginning been looking at the possibility of a continuous rewriting of art history via retroactive tracing (French poststructuralist theory meets art historian Hal Forster’s reading of Freud’s concept of Nachträglichkeit – blah blah). And just in general Mikkel Carl likes to recycle older works by reinstalling them within new contexts, or simply by presenting them in similar situations years down the line thereby probing whatever changes the (art) world has seen since their previous time around.

Taking place at Future Suburban Contemporary even the name of the venue lends itself perfectly to Mikkel Carl’s crisscrossing of time and place. Hence, the works will not be shown in a ”regular” fashion, meaning paintings on the walls, sculptures in the middle of the floor, presented in some chronological or thematic order. Rather, the plausible presence of each particular object within a fully loaded garage in the suburbs is the primary curatorial criteria: A reverse readymade-strategy of sorts. It is not about the ”shock” of seeing an everyday object within the context of art, but about more or less seamlessly embedding art objects – most of which are in themselves riffs on Duchampian methodology – in a not immediately recognizable art context. Even if suburban garages due to the ever-expanding gentrification in the cities might very well be the next new thing. In some cases, it is therefore only the accompanying title and list of materials that reveal the aesthetical dimension of the objects at hand.

by Jens Ivar Kjetså, artist and director of FSC

___________________

TOKYO DRIFT, 2016
Sand cast aluminum
38 x 38 x 4.5cm

Someday a Real Rain Will Come and Wash all the Scum off the Streets
Nordic Contemporary
Paris

2016

#

CONCEPTUAL ART IS DEAD – LONG LIVE CONCEPTUAL ART, 2017
Self-adhessive vinyl letters
Dimensions variable to installation

THE WORLD IS NOT ENOUGH, 2016
World map shower curtain
Dimensions variable to installation

THE WORLD IS NOT ENOUGH, 2016
World map shower curtain (detail)
Dimensions variable to installation

THE WORLD IS NOT ENOUGH, 2016
World map shower curtain
Dimensions variable to installation

GOOD IDEAS ARE BAD IDEAS, 2017
Spray painted aluminium
18 x 25cm

(sent from artist to venue with regular postage service)

2 FAST 2 FURIOUS, 2015
Sand cast aluminum
37 x 37 x 5cm

The Lomax Poems
Good Work Gallery
New York

2015

THE FUCK YOU OF MAN, 2017
Taxidermy song thrush
23x12x12 cm

Biennale of Future Contemporary Art
Brønshøj

2017

THE FUCK YOU OF MAN, 2017
Taxidermy song thrush
23x12x12 cm

Biennale of Future Contemporary Art
Brønshøj

2017

THE FUCK YOU OF MAN, 2017
Taxidermy song thrush
23x12x12 cm

Biennale of Future Contemporary Art
Brønshøj

2017

REPETITION IS STRENGH, 2012/2017
Outdoor UV light tubes
Dimensions variable to installation

New Paintings Caught in the Headlights of Parking Cars
Ringsted Galleriet
Ringsted

2012
___________________________________________

YOU CAN HAVE YOUR CAKE AND EAT IT TOO, 2015
Sand-cast aluminum
Dimensions variable to installation

We Are all Workers
Kunsthal NORD
Aalborg

2015
________________________

WASSILY (Orange), 2010
Galvanized steel, nylon fabric, velcro, string, nuts and bolts
Dimensions variable to installation

Art Copenhagen
Henningsen Gallery

WASSILY (Orange), 2010
Galvanized steel, nylon fabric, velcro, string, nuts and bolts
Dimensions variable to installation

Art Copenhagen
Henningsen Gallery

2010

WASSILY (Orange), 2010
Galvanized steel, nylon fabric, velcro, string, nuts and bolts
Dimensions variable to installation

Art Copenhagen
Henningsen Gallery

2010

WASSILY (Orange), 2010
Galvanized steel, nylon fabric, velcro, string, nuts and bolts
Dimensions variable to installation

Art Copenhagen
Henningsen Gallery

2010
_______________________________________________________________

BEING RIGHT TOO EARLY IS JUST AS BAD AS BEING WRONG, 2011
Shelving system designed by my late grandfather Henry Sørensen
200 x 180 x 34cm

A Chair is Still a Chair, but a Room is not a House
Ringsted Galleriet
Ringsted

2011

MUST I CONSULT ART TO UNDERSTAND THAT IDENTITY IS ADMINISTERED, POWER EXPLOITS, RESISTANCE IS PREDETERMINED, ALL IS SHIT, 2016
Dummy surveillance camera
Dimensions variable to installation

Mikkel Carl | Ebecho Muslimova
The Murderous Narcissism of Minor Differences
247365
New York

2016

MUST I CONSULT ART TO UNDERSTAND THAT IDENTITY IS ADMINISTERED, POWER EXPLOITS, RESISTANCE IS PREDETERMINED, ALL IS SHIT, 2016
Dummy surveillance camera
Dimensions variable to installation

Mikkel Carl | Ebecho Muslimova
The Murderous Narcissism of Minor Differences
247365
New York

2016

Installation view

DIRTY DEEDS DONE DIRT CHEAP, 2012
Trash, tote bag (Claire Fontaine: Trash Only, 2011 – No.23/100)
49 x 32 x 17cm

Alpha-Beta-Gamma
BKS Garage
Copenhagen

2012
_________________________

FOLLOW THE MONEY, 2011
Chocolate Euro and DDK coins
Dimensions variable to installation

The Invisible Hand
Dada Post
Berlin

2011

____________

modulE, 2012
Prototype for a combinatory system of shelves, desks and coffee tables
Dimensions variable to installation

Too Sexy for My Skin
Henningsen gallery
Copenhagen

2012

DIRTY DEEDS DONE DIRT CHEAP, 2012
Trash, tote bag (Claire Fontaine: Trash Only, 2011 – No.23/100)
49 x 32 x 17cm

Alpha-Beta-Gamma
BKS Garage
Copenhagen

2012

VERTICAL INTEGRATION, 2017
Paintings in Porn, vol.3
2:09

VERTICAL INTEGRATION, 2017
Paintings in Porn, vol.3
2:09

UNTITLED, 2015
Acrylic paint on plastic coated drop cloth, customized stretchers
129 x 69cm

THE BULLERBY SYNDROME*, 2015
Artificial apple branch and blossoms, glass bottle (Apfelsaft, dOCUMENTA 13), water
Dimensions variable to installation

* The Bullerby Syndrome (German: Bullerbü-Syndrom) is a term referring to an idealization of Sweden, which may occur in the German-speaking world.

Language Dissolves as a Product of Love Begins
AnnaElleGallery
Stockholm

2015

____________________________

CALCULATED OPTIMISM, 2015
Anodized G4 Apple Powerbook
28 x 25 x 3cm

Searching for Devices
basis
Frankfurt a.M

2015

____________

modulE, 2012
Prototype for a combinatory system of shelves, desks and coffee tables
Dimensions variable to installation

Too Sexy for My Skin
Henningsen gallery
Copenhagen

2012

THE BULLERBY SYNDROME*, 2015 (detail)
Artificial apple branch and blossoms, glass bottle (Apfelsaft, dOCUMENTA 13), water
Dimensions variable to installation

* The Bullerby Syndrome (German: Bullerbü-Syndrom) is a term referring to an idealization of Sweden, which may occur in the German-speaking world.

Language Dissolves as a Product of Love Begins
AnnaElleGallery
Stockholm

2015
____________________________

CALCULATED OPTIMISM, 2015
Anodized G4 Apple Powerbook
28 x 25 x 3cm

Searching for Devices
basis
Frankfurt a.M

2015

A HOST OF POSSIBLE DRAMA AND EXCHANGE (VOL.2), 2015
Defaced monograph (Paul Thek | Artist's Artist)
28.5 x 22.5 x 5cm

The Lomax Poems
Good Work Gallery
New York

2015
__________________________

FOLLOW THE MONEY, 2011
Chocolate Euro and DDK coins
Dimensions variable to installation

The Invisible Hand
Dada Post
Berlin

2011

A HOST OF POSSIBLE DRAMA AND EXCHANGE (VOL.2), 2015 (detail)
Defaced monograph (Paul Thek | Artist's Artist)
28.5 x 22.5 x 5cm

The Lomax Poems
Good Work Gallery
New York

2015
__________________________

FOLLOW THE MONEY, 2011
Chocolate Euro and DDK coins
Dimensions variable to installation

The Invisible Hand
Dada Post
Berlin

2011

YOU CAN HAVE YOUR CAKE AND EAT IT TOO, 2015
Sand-cast aluminum
Dimensions variable

We Are all Workers
Kunsthal NORD
Aalborg

2015
____________________________________

THIS TITLE IS AN ARTWORK OF MINE
– a group exhibition in a book

Curated by Mikkel Carl

Revolver Publishing ISBN 978-3-86895-271-1
Space Poetry ISBN 978-87-7603-127-5

2012

Installation view

UNTITLED, 2015
Acrylic paint on plastic coated fabric, customized stretchers
d 75cm

UNTITLED, 2015
Acrylic paint on plastic coated fabric, customized stretchers
85 x 95 x 2cm

Language Dissolves as a Product of Love Begins
AnnaElleGallery
Stockholm

2015
_________________________

FOLLOW THE MONEY, 2011
Chocolate Euro and DDK coins
Dimensions variable to installation

The Invisible Hand
Dada Post
Berlin

2011

UNTITLED, 2015 (detail)
Acrylic paint on plastic coated drop cloth, customized stretchers
d 75cm

Language Dissolves as a Product of Love Begins
AnnaElleGallery
Stockholm

2015

UNTITLED, 2015 (detail)
Acrylic paint on plastic coated drop cloth, customized stretchers
d 75cm

UNTITLED, 2015 (detail)
Acrylic paint on plastic coated fabric, customized stretchers
85 x 95 x 2cm

Language Dissolves as a Product of Love Begins
AnnaElleGallery
Stockholm

2015

FOLLOW THE MONEY, 2011
Chocolate Euro and DDK coins
Dimensions variable to installation

The Invisible Hand
Dada Post
Berlin

2011

LOOKING BACKWARD TO SEE STRAIGHT, 2011
Framed poster donated by the unemployment office in Sorø
50 x 70cm

Looking Backward to See Straight – Ringsted Galleriet (1981-2011)
Ringsted Galleriet
Ringsted

2011

LOOKING BACKWARD TO SEE STRAIGHT, 2011 (detail)
Framed poster donated by the unemployment office in Sorø
50 x 70cm

Looking Backward to See Straight – Ringsted Galleriet (1981-2011)
Ringsted Galleriet
Ringsted

2011

THE RETURN OF THE REAL (II), 2009
Defaced postcard picturing Le Canard Inquietant by Asger Jorn, artist's frame
26 x 30cm

Poulsen on Paper
Gallery Poulsen
Copenhagen

2010

THE RETURN OF THE REAL (II), 2009 (detail)
Defaced postcard picturing Le Canard Inquietant by Asger Jorn, artist's frame
26 x 30cm

Poulsen on Paper
Gallery Poulsen
Copenhagen

2010

THE RETURN OF THE REAL (II), 2009 (detail)
Defaced postcard picturing Le Canard Inquietant by Asger Jorn, artist's frame
26 x 30cm

Poulsen on Paper
Gallery Poulsen
Copenhagen

2010

I LOVE YOU BUT I HAVE CHOSEN DESIGN, 2016
Self-firing clay, graphite, lacquer
23 x 27 x 32cm (originally part of a larger display)

Den Frie Udstilling
Den Frie – Centre of Contemporary Art
Copenhagen

2016
_________________________

FOLLOW THE MONEY, 2011
Chocolate Euro and DDK coins
Dimensions variable to installation

The Invisible Hand
Dada Post
Berlin

2011
___________________________________________

BEING RIGHT TOO EARLY IS JUST AS BAD AS BEING WRONG, 2011
Shelving system designed by my late grandfather Henry Sørensen
200 x 180 x 34 cm

A Chair is Still a Chair, but a Room is not a House
Ringsted Galleriet
Ringsted

2011

I LOVE YOU BUT I HAVE CHOSEN DESIGN, 2016
Self-firing clay, graphite, lacquer
23 x 27 x 32cm (originally part of a larger display)

Den Frie Udstilling
Den Frie – Centre of Contemporary Art
Copenhagen

2016
_______________________________________________________________

BEING RIGHT TOO EARLY IS JUST AS BAD AS BEING WRONG, 2011
Shelving system designed by my late grandfather Henry Sørensen
200 x 180 x 34 cm

A Chair is Still a Chair, but a Room is not a House
Ringsted Galleriet
Ringsted

2011

L’ORIGINE DU MONDE, 2015
Defaced artist monograph (Gaugin – Polynesia)
30 x 24 x 3cm

Trust – The Salon
Kunstforeningen GL STRAND Copenhagen

2015
_______________________________________________________________

BEING RIGHT TOO EARLY IS JUST AS BAD AS BEING WRONG, 2011
Shelving system designed by my late grandfather Henry Sørensen
200 x 180 x 34 cm

A Chair is Still a Chair, but a Room is not a House
Ringsted Galleriet
Ringsted

2011

L’ORIGINE DU MONDE, 2015 (detail)
Defaced artist monograph (Gaugin – Polynesia)
30 x 24 x 3cm

Trust – The Salon
Kunstforeningen GL STRAND Copenhagen

2015

FOLLOW THE MONEY, 2011
Chocolate Euro and DDK coins
Dimensions variable to installation

The Invisible Hand
Dada Post
Berlin

2011
_______________________________________________________________

BEING RIGHT TOO EARLY IS JUST AS BAD AS BEING WRONG, 2011
Shelving system designed by my late grandfather Henry Sørensen
200 x 180 x 34cm

A Chair is Still a Chair, but a Room is not a House
Ringsted Galleriet
Ringsted

2011

FOLLOW THE MONEY, 2011
Chocolate Euro and DDK coins
Dimensions variable to installation

The Invisible Hand
Dada Post
Berlin

2011

IT DEPENDS ON WHAT THE MEANING OF THE WORD 'IS' IS, 2017
Lava sourced from Olafur Elliasson’s Riverbed installation at Lousiana, Humlebæk
2 x 2 x 1cm
___________________________________________

BEING RIGHT TOO EARLY IS JUST AS BAD AS BEING WRONG, 2011
Shelving system designed by my late grandfather Henry Sørensen
200 x 180 x 34cm

A Chair is Still a Chair, but a Room is not a House
Ringsted Galleriet
Ringsted

2011

SEIN ZUM TODE, 2017
Broken hammer taken from the estate of my late mother in law
25 x 7 x 2cm
__________________________________________

BEING RIGHT TOO EARLY IS JUST AS BAD AS BEING WRONG, 2011
Shelving system designed by my late grandfather Henry Sørensen
200 x 180 x 34cm

A Chair is Still a Chair, but a Room is not a House
Ringsted Galleriet
Ringsted

2011

THE INVISIBLE HAND, 2011/2017
Coconut, glitter paint, rotation motor
12 x 9 x 9cm
__________________________________________

BEING RIGHT TOO EARLY IS JUST AS BAD AS BEING WRONG, 2011
Shelving system designed by my late grandfather Henry Sørensen
200 x 180 x 34cm

A Chair is Still a Chair, but a Room is not a House
Ringsted Galleriet
Ringsted

2011

THE INVISIBLE HAND, 2011/2017
Coconut, glitter paint, rotation motor
12 x 9 x 9cm
__________________________________________

BEING RIGHT TOO EARLY IS JUST AS BAD AS BEING WRONG, 2011
Shelving system designed by my late grandfather Henry Sørensen
200 x 180 x 34cm

A Chair is Still a Chair, but a Room is not a House
Ringsted Galleriet
Ringsted

2011

THE INVISIBLE HAND, 2011/2017
Coconut, glitter paint, rotation motor
12 x 9 x 9cm
__________________________________________

BEING RIGHT TOO EARLY IS JUST AS BAD AS BEING WRONG, 2011
Shelving system designed by my late grandfather Henry Sørensen
200 x 180 x 34cm

A Chair is Still a Chair, but a Room is not a House
Ringsted Galleriet
Ringsted

2011

2 FAST 2 FURIOUS, 2015
Sand-cast aluminum
Dimensions variable to installation

The Lomax Poems
Good Work Gallery
New York

2015

COPENHAGEN EATS SHIT, 2014 (detail)
Edition of 500

We Are all Workers
Kunsthal NORD
Aalborg

2015

Installation view

UNTITLED (A VAGUE NOTHING AT THE INTERSECTION OF SUBJECT AND OBJECT), 2017 (detail)
Graphite, lacquer, and rust on fibreboard
100 x 50cm

SHORTCUT, 2015 (detail)
Towel rack from the series Shortcut (design by Nendo)
80 x 60 x 23cm

YOU CAN HAVE YOUR CAKE AND EAT IT TOO, 2015
Sand-cast aluminum
Dimensions variable to installation

We Are all Workers
Kunsthal NORD
Aalborg

2015

COLUMBUS' EGG, 2011
Globe turned “upside down”
43 x 35 x 32cm

The Invisible Hand
Dada Post
Berlin

2011
____________________________________

I'M RIGHT AND YOU'RE WRONG, 2009
The IKEA shelving unit BESTÅ* turned inside out
30 x 80 x 130cm

*Translates as ‘endure’

Evil Is in the Eye of the Beholder
Gallery Poulsen
Copenhagen

2009
_____________________________________________

A TINY PIECE OF DOUBLE NEGATIVE, 2005-2012
Compressed sand, gravel, and pebbles taken from Michael Heizer’s eponymous land artwork outside of Las Vegas
5 x 2.5 x 3cm

Too Sexy for my Skin
Henningsen gallery
Copenhagen

2012
______________________________

COPENHAGEN EATS SHIT, 2014
Edition of 500

We Are all Workers
Kunsthal NORD
Aalborg

2015

COLUMBUS' EGG, 2011
Globe turned “upside down”
43 x 35 x 32cm

The Invisible Hand
Dada Post
Berlin

2011
____________________________________

I'M RIGHT AND YOU'RE WRONG, 2009
The IKEA shelving unit BESTÅ* turned inside out
30 x 80 x 130cm

*Translates as ‘endure’

Evil Is in the Eye of the Beholder
Gallery Poulsen
Copenhagen

2009

COLUMBUS' EGG, 2011
Globe turned “upside down”
43 x 35 x 32cm

The Invisible Hand
Dada Post
Berlin

2011

A TINY PIECE OF DOUBLE NEGATIVE, 2005-2012
Compressed sand, gravel, and pebbles taken from Michael Heizer’s eponymous land artwork outside of Las Vegas
5 x 2.5 x 3cm

Too Sexy for my Skin
Henningsen gallery
Copenhagen

2012
_____________________________________________

A HOST OF POSSIBLE DRAMA AND EXCHANGE, 2015
Defaced artist monograph (Ann Lislegaard: Spiral Book)
30 x 21 x 2cm

A Host of Possible Drama and Exchange Unknown Cargo
Copenhagen

2015
____________________________________

I'M RIGHT AND YOU'RE WRONG, 2009
The IKEA shelving unit BESTÅ* turned inside out
30 x 80 x 130cm

*Translates as ‘endure’

Evil Is in the Eye of the Beholder
Gallery Poulsen
Copenhagen

2009

A TINY PIECE OF DOUBLE NEGATIVE, 2005-2012
Compressed sand, gravel, and pebbles taken from Michael Heizer’s eponymous land artwork outside of Las Vegas
5 x 2.5 x 3cm

Too Sexy for my Skin
Henningsen gallery
Copenhagen

2012
____________________________________

I'M RIGHT AND YOU'RE WRONG, 2009
The IKEA shelving unit BESTÅ* turned inside out
30 x 80 x 130cm

*Translates as ‘endure’

Evil Is in the Eye of the Beholder
Gallery Poulsen
Copenhagen

2009

A HOST OF POSSIBLE DRAMA AND EXCHANGE, 2015
Defaced artist monograph (Ann Lislegaard: Spiral Book)
30 x 21 x 2cm

A Host of Possible Drama and Exchange
Unknown Cargo
Copenhagen

2015
____________________________________

I'M RIGHT AND YOU'RE WRONG, 2009
The IKEA shelving unit BESTÅ* turned inside out
30 x 80 x 130cm

*Translates as ‘endure’

Evil Is in the Eye of the Beholder
Gallery Poulsen
Copenhagen

2009

A HOST OF POSSIBLE DRAMA AND EXCHANGE, 2015
Defaced artist monograph (Ann Lislegaard: Spiral Book)
30 x 21 x 2cm

A Host of Possible Drama and Exchange
Unknown Cargo
Copenhagen

2015

A HOST OF POSSIBLE DRAMA AND EXCHANGE, 2015
Defaced artist monograph (Ann Lislegaard: Spiral Book)
30 x 21 x 2cm

A Host of Possible Drama and Exchange Unknown Cargo
Copenhagen

2015
__________________________

FOLLOW THE MONEY, 2011
Chocolate Euro and DDK coins
Dimensions variable to installation

The Invisible Hand
Dada Post
Berlin

2011

Installation view

I'M RIGHT AND YOU'RE WRONG, 2009
The IKEA shelving unit BESTÅ* turned inside out
30 x 80 x 130cm

*Translates as ‘endure’

Evil Is in the Eye of the Beholder
Gallery Poulsen
Copenhagen

_____________________________

2009
COPENHAGEN EATS SHIT, 2014
Edition of 500

We Are all Workers
Kunsthal NORD
Aalborg

2015
__________________________

UNTITLED (FUCK YES), 2013
Enamel paint and spray paint on Nomad bean bag chair
146 x 120 x 32cm

Fuck Yes
Tranen
Hellerup

2013

UNTITLED (FUCK YES), 2013 (detail)
Enamel paint and spray paint on Nomad bean bag chair
146 x 120 x 32cm

Fuck Yes
Tranen
Hellerup

2013

WHAT’S WRONG WITH THIS PICTURE, 2015 (detail)
EUR pallet
150 x 78 x 15cm

We Are all Workers
Kunsthal NORD
Aalborg

2015

BOOBY TRAP, 2012
Hang it all coat rack by Eames
44 x 38 x 13cm

Boredom Is Deep and Mysterious
77m3
Aarhus

2012

YOU CAN HAVE YOUR CAKE AND EAT IT TOO, 2015
Sand-cast aluminum
Dimensions variable to installation

We Are all Workers
Kunsthal NORD
Aalborg

2015

REPETITION IS STRENGH, 2012/2017
Outdoor UV light tubes
Dimensions variable

New Paintings Caught in the Headlights of Parking Cars
Ringsted Galleriet
Ringsted

2012

REPETITION IS STRENGH, 2012/2017
Outdoor UV light tubes
Dimensions variable

New Paintings Caught in the Headlights of Parking Cars
Ringsted Galleriet
Ringsted

2012

Installation view

Installation view

THOSE WHO ARE AWAKE HAVE A WORLD IN COMMON, WHILE EACH PERSON ASLEEP HAS A WORLD OF HER OWN, 2017

Installation view

Solo presentation, M23 Projects (New York)
Code Art Fair, Copenhagen

THOSE WHO ARE AWAKE HAVE A WORLD IN COMMON, WHILE EACH PERSON ASLEEP HAS A WORLD OF HER OWN, 2017
Acrylic paint, spray on dyed cotton fabric mounted on mirror foil, aluminium stretchers
115 x 170 cm

UNTITLED (THOSE WHO ARE AWAKE HAVE A WORLD IN COMMON, WHILE EACH PERSON ASLEEP HAS A WORLD OF HIS OWN), 2017
Acrylic paint, spray on dyed cotton fabric mounted on mirror foil, aluminium stretchers
115 x 170 cm

THOSE WHO ARE AWAKE HAVE A WORLD IN COMMON, WHILE EACH PERSON ASLEEP HAS A WORLD OF HER OWN, 2017

Installation view

UNTITLED (THOSE WHO ARE AWAKE HAVE A WORLD IN COMMON, WHILE EACH PERSON ASLEEP HAS A WORLD OF HER OWN), 2017
Acrylic paint, spray on dyed cotton fabric mounted on mirror foil, aluminium stretchers
90 x 90 cm

UNTITLED (THOSE WHO ARE AWAKE HAVE A WORLD IN COMMON, WHILE EACH PERSON ASLEEP HAS A WORLD OF HER OWN), 2017
Acrylic paint, spray on dyed cotton fabric mounted on mirror foil, aluminium stretchers
92 x 92 cm

UNTITLED (THOSE WHO ARE AWAKE HAVE A WORLD IN COMMON, WHILE EACH PERSON ASLEEP HAS A WORLD OF HER OWN), 2017
Acrylic paint, spray on dyed cotton fabric mounted on mirror foil, aluminium stretchers
100 x 100 cm

UNTITLED (THOSE WHO ARE AWAKE HAVE A WORLD IN COMMON, WHILE EACH PERSON ASLEEP HAS A WORLD OF HER OWN), 2017
Acrylic paint, spray on dyed cotton fabric mounted on mirror foil, aluminium stretchers
100 x 100 cm

UNTITLED (THOSE WHO ARE AWAKE HAVE A WORLD IN COMMON, WHILE EACH PERSON ASLEEP HAS A WORLD OF HER OWN), 2017 (detail)
Acrylic paint, spray on dyed cotton fabric mounted on mirror foil, aluminium stretchers
100 x 100 cm

THOSE WHO ARE AWAKE HAVE A WORLD IN COMMON, WHILE EACH PERSON ASLEEP HAS A WORLD OF HER OWN, 2017

Installation view

THOSE WHO ARE AWAKE HAVE A WORLD IN COMMON, WHILE EACH PERSON ASLEEP HAS A WORLD OF HER OWN, 2017

Installation view

UNTITLED (THOSE WHO ARE AWAKE HAVE A WORLD IN COMMON, WHILE EACH PERSON ASLEEP HAS A WORLD OF HER OWN), 2017
Acrylic paint, spray on dyed cotton fabric mounted on mirror foil, aluminium stretchers
120 x 160 cm

UNTITLED (THOSE WHO ARE AWAKE HAVE A WORLD IN COMMON, WHILE EACH PERSON ASLEEP HAS A WORLD OF HER OWN), 2017
Acrylic paint, spray on dyed cotton fabric mounted on mirror foil, aluminium stretchers
120 x 120 cm

UNTITLED (THOSE WHO ARE AWAKE HAVE A WORLD IN COMMON, WHILE EACH PERSON ASLEEP HAS A WORLD OF HER OWN), 2017
Acrylic paint, spray on dyed cotton fabric mounted on mirror foil, aluminium stretchers
120 x 120 cm

THOSE WHO ARE AWAKE HAVE A WORLD IN COMMON, WHILE EACH PERSON ASLEEP HAS A WORLD OF HER OWN, 2017

Installation view

UNTITLED (THOSE WHO ARE AWAKE HAVE A WORLD IN COMMON, WHILE EACH PERSON ASLEEP HAS A WORLD OF HER OWN), 2017
Acrylic paint, spray on dyed cotton fabric mounted on mirror foil, aluminium stretchers
40 x 40 cm

UNTITLED (THOSE WHO ARE AWAKE HAVE A WORLD IN COMMON, WHILE EACH PERSON ASLEEP HAS A WORLD OF HER OWN), 2017
Acrylic paint, spray on dyed cotton fabric mounted on mirror foil, aluminium stretchers
40x40cm

UNTITLED (THOSE WHO ARE AWAKE HAVE A WORLD IN COMMON, WHILE EACH PERSON ASLEEP HAS A WORLD OF HER OWN), 2017
Acrylic paint, spray on dyed cotton fabric mounted on mirror foil, aluminium stretchers
60x80cm

UNTITLED (THOSE WHO ARE AWAKE HAVE A WORLD IN COMMON, WHILE EACH PERSON ASLEEP HAS A WORLD OF HER OWN), 2017
Acrylic paint, spray on dyed cotton fabric mounted on mirror foil, aluminium stretchers
60x80cm

THOSE WHO ARE AWAKE HAVE A WORLD IN COMMON, WHILE EACH PERSON ASLEEP HAS A WORLD OF HIS OWN, 2017

Installation view

UNTITLED (THOSE WHO ARE AWAKE HAVE A WORLD IN COMMON, WHILE EACH PERSON ASLEEP HAS A WORLD OF HIS OWN), 2017
Acrylic paint, spray on dyed cotton fabric mounted on mirror foil, aluminium stretchers
39 x 45 cm

UNTITLED (THOSE WHO ARE AWAKE HAVE A WORLD IN COMMON, WHILE EACH PERSON ASLEEP HAS A WORLD OF HIS OWN), 2017
Acrylic paint, spray on dyed cotton fabric mounted on mirror foil, aluminium stretchers
60 x 60 cm

UNTITLED (THOSE WHO ARE AWAKE HAVE A WORLD IN COMMON, WHILE EACH PERSON ASLEEP HAS A WORLD OF HIS OWN), 2017
Acrylic paint, spray on dyed cotton fabric mounted on mirror foil, aluminium stretchers
38 x 38 cm

Last Resort
Code Art Fair, Copenhagen

UNTITLED (THOSE WHO ARE AWAKE HAVE A WORLD IN COMMON, WHILE EACH PERSON ASLEEP HAS A WORLD OF HIS OWN), 2017
Acrylic paint, spray on dyed cotton fabric mounted on mirror foil, aluminium stretchers
38 x 38cm

Installation view

Last Resort
Code Art Fair, Copenhagen

UNTITLED (YOU HATE THE FACT THAT YOU BOUGHT THE DREAM AND THEY SOLD YOU ONE), 2017
mirror foil, aluminium stretchers
65 x 65 cm

UNTITLED (YOU HATE THE FACT THAT YOU BOUGHT THE DREAM AND THEY SOLD YOU ONE), 2017 (detail)
mirror foil, aluminium stretchers
65 x 65 cm

Installation view

Last Resort
Code Art Fair, Copenhagen

UNTITLED (YOU HATE THE FACT THAT YOU BOUGHT THE DREAM AND THEY SOLD YOU ONE), 2017
mirror foil, aluminium stretchers
65 x 65 cm

UNTITLED (YOU HATE THE FACT THAT YOU BOUGHT THE DREAM AND THEY SOLD YOU ONE), 2017
mirror foil, aluminium stretchers
65 x 65 cm

UNTITLED (YOU HATE THE FACT THAT YOU BOUGHT THE DREAM AND THEY SOLD YOU ONE), 2017
mirror foil, aluminium stretchers
100 x 100 cm

MUST I KNOW ART TO UNDERSTAND THAT IDENTITY IS ADMINISTERED, POWER EXPLOITS,
RESISTANCE IS PREDETERMINED, ALL IS SHIT?, 2016
Dummy surveillance camera, sticker
Dimensions variable

Kiosk
Sydhavn Station
Copenhagen

MUST I KNOW ART TO UNDERSTAND THAT IDENTITY IS ADMINISTERED, POWER EXPLOITS,
RESISTANCE IS PREDETERMINED, ALL IS SHIT?, 2016
Dummy surveillance camera, sticker
Dimensions variable

MUST I KNOW ART TO UNDERSTAND THAT IDENTITY IS ADMINISTERED, POWER EXPLOITS,
RESISTANCE IS PREDETERMINED, ALL IS SHIT?, 2016
Dummy surveillance camera, sticker
Dimensions variable

MUST I KNOW ART TO UNDERSTAND THAT IDENTITY IS ADMINISTERED, POWER EXPLOITS,
RESISTANCE IS PREDETERMINED, ALL IS SHIT?, 2016
Dummy surveillance camera, sticker
Dimensions variable

Installation view

Kiosk
Sydhavn Station
Copenhagen

MUST I KNOW ART TO UNDERSTAND THAT IDENTITY IS ADMINISTERED, POWER EXPLOITS,
RESISTANCE IS PREDETERMINED, ALL IS SHIT?, 2016 MINED, ALL IS SHIT?, 2017 (2016)
Dummy surveillance camera, sticker
Dimensions variable

Installation view

Kiosk
Sydhavn Station
Copenhagen

MUST I KNOW ART TO UNDERSTAND THAT IDENTITY IS ADMINISTERED, POWER EXPLOITS,
RESISTANCE IS PREDETERMINED, ALL IS SHIT?, 2016
Dummy surveillance camera, sticker
Dimensions variable

Installation view

Kiosk
Den Frie – Centre of Contemporary Art
Copenhagen

MUST I KNOW ART TO UNDERSTAND THAT IDENTITY IS ADMINISTERED, POWER EXPLOITS,
RESISTANCE IS PREDETERMINED, ALL IS SHIT?, 2016
Dummy surveillance camera, sticker
Dimensions variable

Installation view

Textures
Koldinggade 12
Copenhagen

UNTITLED (A VAGUE NOTHING AT THE INTERSECTION OF SUBJECT AND OBJECT), 2017
Graphite and lacquer on fiberboard
20x25 cm

Installation view

UNTITLED (A VAGUE NOTHING AT THE INTERSECTION OF SUBJECT AND OBJECT), 2017
Graphite and lacquer on fiberboard
19x35 cm

UNTITLED (A VAGUE NOTHING AT THE INTERSECTION OF SUBJECT AND OBJECT), 2017
Graphite and lacquer on fiberboard
53x80 cm cm

UNTITLED (A VAGUE NOTHING AT THE INTERSECTION OF SUBJECT AND OBJECT), 2017 (detail)
Graphite and lacquer on fiberboard
53x80 cm cm

UNTITLED (A VAGUE NOTHING AT THE INTERSECTION OF SUBJECT AND OBJECT), 2017
Graphite, lacquer, and rust on fiberboard
17.5x18.5 cm cm

UNTITLED (A VAGUE NOTHING AT THE INTERSECTION OF SUBJECT AND OBJECT), 2017
Graphite, lacquer, and hot glue on fiberboard
18x19 cm

BAD MOON RISING

The Montana Room
Kunstforeningen GL STRAND
Copenhagen

photo: David Stjernholm

BAD MOON RISING, 2017
Various materials
450 x 250 x 150 cm

BAD MOON RISING, 2017 (detail)
Various materials
450 x 250 x 150 cm

BAD MOON RISING, 2017 (detail)
Various materials
450 x 250 x 150 cm

BAD MOON RISING, 2017 (detail)
Various materials
450 x 250 x 150 cm

BAD MOON RISING, 2017 (detail)
Various materials
450 x 250 x 150 cm

BAD MOON RISING, 2017
Various materials
450 x 250 x 150 cm

BAD MOON RISING, 2017
Various materials
450 x 250 x 150 cm

BAD MOON RISING, 2017
Various materials
450 x 250 x 150 cm

BAD MOON RISING, 2017 (detail)
Various materials
450 x 250 x 150 cm

BAD MOON RISING, 2017
Various materials
450 x 250 x 150 cm

BAD MOON RISING, 2017 (detail)
Various materials
450 x 250 x 150 cm

BAD MOON RISING, 2017
Various materials
450 x 250 x 150 cm

BAD MOON RISING, 2017 (detail)
Various materials
450 x 250 x 150 cm

BAD MOON RISING, 2017 (detail)
Various materials
450 x 250 x 150 cm

BAD MOON RISING, 2017
Various materials
450 x 250 x 150 cm

BAD MOON RISING, 2017
Various materials
450 x 250 x 150 cm

BAD MOON RISING, 2017 (detail)
Various materials
450 x 250 x 150 cm

BAD MOON RISING, 2017
Various materials
450 x 250 x 150 cm

IN A REALM OF THOUGHT BEYOND THE LIMITS OF THE FLESH, 2017
Incense sticks, stainless steel ashtray
Dimensions variable

Den Frie Udstilling
Den Frie – Centre of Contemporary Art
Copenhagen

IN A REALM OF THOUGHT BEYOND THE LIMITS OF THE FLESH, 2017
Incense sticks, stainless steel ashtray
Dimensions variable

IN A REALM OF THOUGHT BEYOND THE LIMITS OF THE FLESH, 2017
Incense sticks, stainless steel ashtray
Dimensions variable

IN A REALM OF THOUGHT BEYOND THE LIMITS OF THE FLESH, 2017 (detail)
Incense sticks, stainless steel ashtray
Dimensions variable